Another one of those uncategorizables. Or maybe that’s just me trying to hide. Either way, much of my writing happens during SF Muni adventures so I thought I’d share one such piece.
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There’s a woman sitting in front of me on the bus. I can’t see her face, but the back of her head is the most enthralling I’ve ever seen. I say these things often, I’ll admit. Once a week or so I’ll see the most beautiful girl I’ve ever seen, and forget all the others who’ve had that title before. But I won’t forget this one, I think.
Her hair is the color of the rotting wooden fence in my backyard. That doesn’t sound pretty, I know, and I never thought it was pretty before now, before I recognized it as the color of nature when it wants to reclaim something as its own. The faded black tips of her hair tell me she once tried to be something she’s not, only to have her roots grow back, her natural hair color refusing to be denied. There are also threads in her hair, dark orange ones braided like ropes. Way in the back are a few purple ones. They look loose and forgotten, like they found their way in and she still doesn’t know they’re there.
Every now and then she turns and I can see her profile. I start to predict it after a while; if there’s a big dog or some little kids playing outside, she’ll turn and look. Her eyes are brown and crinkled in the corners, and they look kind to me, like Bob Marley’s eyes. Or maybe I just think that because I’ve got my headphones on and Bob Marley’s singing “Stir It Up,” the acoustic version.
At one point her cell phone rings from inside her knitted bag. Her ringtone’s a fast-paced song I don’t know but recognize from the radio, and before she answers, I turn my headphones up so I can’t hear her voice, in case it ruins how I imagine she speaks. I don’t think she has the voice of an angel or anything. I imagine it to be very human, maybe sort of androgynous, the kind of voice that makes her cringe when she hears it played back on a recording because she thinks she sounds like an old man.
I turn to my book until she’s finished with her phone call. I’ve mastered the art of pretending to read while looking at pretty girls. And soon it’s all the same, the lines on her face shape the letters on the page and I think I know her name because I’m reading a book by someone named Michelle and the name seems to fit her, Michelle. She starts to look familiar, too, like the pretty girls often do. I feel a little guilty at this point, like it’s just me being a pervert, the “hey, don’t I know you?” kind of pervert. But it’s just that each time I glance over, she looks more and more like someone I’ve met before, so I think maybe I have. Maybe I’ve met her, maybe her caramel skin looks familiar because I’ve touched her, and maybe I’ve kissed her, because I’ve had many nights kissing in dark corners, many faces I couldn’t really see, many that faded into dark nights I don’t quite remember. Maybe she’s one of those.
Though I didn’t think she was one I could forget.
But at the next stop, she gets up and walks down the steps, orange threads bouncing as she goes out the bus doors, and when she’s gone I find that I’ve forgotten her already.